All had stop tailpieces with adjustable bridges. The sg-35 had parallelogram inlays, the sg-30 had dots. The results were the sg-2000, sg-1500, sg-1000, sg-700 and sg-500, introduced to the world in july of â€™76, at the height of the â€œcopy eraâ€ (typically, the model number is engraved on the truss rod cover). The sg-50 was similar to the sg-30, but with a glued-in neck with dot inlays and a large, laminated pickguard that went from the upper horn down to the lower bout. The laminated pickguard was slightly elevated, as on the sg-175. Iâ€™m not sure about the exact year but around 1971 â€“ 1972 (yamaha mentiones 1972 as the start of â€œoverseasâ€ production) yamaha changed to a white label for the japanese market and kept the red label for the export markets. Both were set-neck, carved-top mahogany guitars with a little elevated pickguards. Most of the black label fgâ€™s iâ€™ve seen were produced in 1974. Enter the classic while these new sgs held sway, yamaha designer yojirou takabayashi and his staff went to work improving the guitarâ€™s design. Some rare white oval labels are nippon gakki made in japan: thereâ€™s one big exception concerning early fgâ€™s. Instead of a set neck, it featured a three-piece mahogany/maple/mahogany laminated neck-through design conducive to greater sustain. The sg-2000 employed the basic look of the sg-175, combined with both subtle refinements and some bolder new ideas. Electronics were conventional two-humbucker, same as on the sg-175. In â€™76, yamaha produced a limited edition sg-2000 devadip model with a fancy engraved pearl inlay on the belly of an antique japanese woman in native dress holding a flower, obviously inspired by santanaâ€™s custom sg-175. From about 1971 yamaha also had a special line of handbuild fgâ€™s of outstanding quality. Its carved mahogany top was trimmed in abalone inlay. Yamaha was definitely pursuing its own vision, so itâ€™s no wonder the sg-2000 was greeted so enthusiastically. The sg-30a was essentially the same as the sg-30, but with a maple body yamaha guitar dating.
The body wings consisted of a â€œsandwichâ€ of laminated mahogany. Black labels can be found asÃ‚Â â€œmade in taiwanâ€: and â€œnippon gakki co. Most sources cite 1976 as the debut date of this model, however, as usual, thereâ€™s more to the story. The white labels can be found as nippon gakki: Â and with none of both: also somewhere around 1972 whileÃ‚Â starting making guitars in taiwanÃ‚Â the red label lost the nippon gakki: after that the black label was introduced. The â€™74 sg-90 and sg-175 marked the debut of guitars that clearly can be identified as yamaha sgs. Tfg labels i once heard a very wise man say: â€œtalking about labels sounds like a johnnie walker adâ€. The 22-fret ebony fingerboard was bound with mother-of-pearl split-wing inlays. Of all the excellent â€“ and generally unheralded â€“ guitars built by yamaha over the years, none has achieved quite the legendary status as the yamaha sg-2000 (sbg-2000), based primarily because of its association early on with carlos santana. Despite the green labels the nippon gakki red label is considered as the start of the fg series. The finetune bridge had metal saddles, and the stop tail was engraved with a harp-and-scroll design. Copyright Â© 2018 the guitar dater project | all rights reserved. These were bolt-neck guitars with slab bodies in the yamaha sg shape, reminiscent of a gibson sg, with small pickguards and twin humbuckers with black plastic covers. Ltdâ€ japan: around 1976 â€“ 1977 yamaha changed to a oval white or orange label: almost allÃ‚Â white oval labelsÃ‚Â are made in taiwan. Before the most famous red label nippon gakki label was introduced yamaha used for a very short period a â€œgreenâ€ label. The first steps the yamaha sg actually had its roots in two new solids that debuted in late 1973 â€“ the natoh mahogany sg-35 and katsura-wood sg-30. These green labels can be found on the very early fgâ€™s. Instead of carved solid mahogany, the sg-2000 had a carved, mildly figured three-piece maple top, with the grain of the center section set perpendicular to the sides. He had custom pickups without the covers, and a fancy pearl inlay design covering the belly of the guitar.
Replacing the flat back of the sg-175 was a contoured back with a scoop out of the top waist to increase playing comfort. A plush-lined hardshell case was standard. But as far as weâ€™re talking yamaha vintage fgâ€™s there is a lot of information just by looking at the label (the following contains some pics from internet).free no registration naughty dirty chat.. Until now iâ€™ve only seen such a green label on some fg150â€™s, fg300â€™s and some fg180â€™s. If you have any doubts as to a guitarsâ€™ authenticity please contact the guitar manufacturer before your purchase. The twin-shielded alnico v humbuckers were covered in black plastic with a cool cover that surrounded the bobbins, but left them and the poles exposed. The sg-70 was very similar to the sg-50, but had a mahogany body. Five finishes were available initially â€“ cherry sunburst, brown (tobacco) sunburst, cherry, brown (tobacco) and black. These initial yamaha sgs lasted until mid â€™76 when they were replaced by the sg-2000. Yamaha mentiones november 1966 as the starting point of the fg series. It follows that potential scammers can use this knowledge to try to trick unsuspecting buyers. The sg-90 was fairly plain, with simple top binding, no binding on the fingerboard, dot inlays, and chrome hardware. Fg labels i once heard a very wise man say: â€œtalking about labels sounds like a johnnie walker adâ€ yamaha guitar dating. Finishes were natural, black and red, at least. This website possesses no database of guitars made by manufactures, instead simple serial code patterns that are available on this site and in the wider guitar community are used. It was, in fact, an sg-175 that first caught the eye of carlos santana, who began playing one around this time. The head of the sg-2000 featured the now-standard double-dipped shape, with five-ply binding, a block lettering logo, and a fancy three-piece floral inlay. .
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